![]() ![]() Of course, ambiguity can often play better in the short form anyways, which allows Tremblay to continue his theme of pairing tales of uncertain horror with more personal, intimate experiences. The answer, at least based off Growing Things and Other Stories? Quite well on the whole. ![]() But while Tremblay has made a name writing great horror novels, short stories are an entirely different medium, and I was curious to see how much Tremblay’s talents could transition into that form. More than that, though, is the way that Tremblay uses his horrors as the anchor to get into so many larger issues, from reality television to parenting, from fandom to political zealotry. ![]() Over the course of three books, Paul Tremblay has risen to one of the most compelling and unique modern horror writers, reveling in the ambiguity of unanswered questions and using it to increase the unease of his horrors. ![]()
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